Hebrews.11

This piece originally appeared as part of the third movement of The Great War Symphony written to commemorate the centenary of the First World War.  The well-known words by Wilfred Owen are

This setting of the well-known text creates a warm and intimate soundscape which reflects the prayerful and devotional Feast of the Assumption of Our Lady. The individual lines are not too demanding, but

A setting of the well-known phrase from Psalm 46, "Be still, and know that I am God" for choir and piano. The piano's repeated chordal patterns flow gently throughout, and the long legato choral lines help

This carol can be used either within a Christmas service or as a stand-alone Christmas centerpiece. The text portrays a work of contrast and variety, conveying a full palette of colors- majestic and

This piece originally appeared as part of the first movement of The Great War Symphony written to commemorate the centenary of the First World War.  The chordal, prayerful style of the

A three-movement work for clarinet, strings and harp written especially for clarinetist Emma Johnson. The three contrasting movements are rooted in the English pastoral tradition but with a definite

The Dead Soldier
(for SATB choir and orchestra OR piano)  Duration: circa 4 minutes
The Dead Soldier originally appeared as part of the third movement of The Great War Symphony written to

A setting of the Eucharist for celebrant, congregation, organ and optional SATB choir. Written for the composer's church in Edenham, Lincolnshire in 1997, and originally only comprising the Gloria, Sanctus

This piece which features on Patrick's album Fair Albion uses the orchestra to convey a panoramic pastoral scene. It is particularly inspired by the undulating Wolds of Lincolnshire, the county in which

These four motets create a fresh approach to well-known ancient texts. They may be sung either as a complete set or individually within a carol service or other liturgical setting. Virga Jesse

This excerpt from The Great War Symphony is scored for SATB chorus with orchestra or piano. The moving words of Sydney Bolitho, which are well-known in Australia, deserve wider recognition and this

This is an epic work for choirs, soloists and orchestra to commemorate the centenary of the First World War. The symphony comprises four movements, each portraying the most significant events in each year

A 15th-century text inspired this a cappella setting reminiscent of medieval tonality and rhythm. The dynamics are restrained overall, but contrast is important in each verse.  Frequent time signature

A spirited and original interpretation of the well-known Dutch carol.  Each verse provides variation and contrast with the bright, playful organ underpinning the soprano and alto textures.

A children's opera that reimagines the story of Robin Hood, exploring what happens when Robin is unable to save the day and the forest community must look to itself for solutions. There are four main groups

The Last Post
(for soprano, SATB choir and orchestra OR piano)  Duration: circa 2 minutes
The Last Post originally appeared as part of the fourth and final movement of The Great War Symphony

A lilting melody is introduced against which the independent choral parts call for love to pervade all that we do. A defiant middle section proclaiming that "no fear be known to us" creates cohesion and

A Christmas carol designed for little ones! The melody is easily memorable and the simple part writing makes this perfect for small children accomapanied by flowing piano patterns.

This simple version of The Lord's Prayer is taken from The Edenham Eucharist. Some unexpected key changes help to sustain the momentum, although the overriding approach is one of

The original 15th century English text has been slightly shortened and adapted to provide the basis for this simple, atmospheric carol. The Virgin Mary sings the Infant Jesus to sleep, conveying the love

Upper and lower voices are divided into two distinct choral worlds. The sopranos and altos narrate Wordsworth's majestic text, while tenors and basses take on the role of minstrels playing "their Christmas

The Easter message is beautifully condensed in these 14 lines by Edmund Spenser. The main theme, first appearing in the choir's opening phrase, invites the listener to become directly involved in the sense